by Jodie Renner, editor & author
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| A small section of Jodie's bookcase |
Want to
succeed as a writer? There’s only one sure way: Roll up your sleeves, hone
your fiction-writing skills, and start rereading and revising!
Ask any
successful writer, and they’ll tell you that the first drafts of their novels
were just the beginning, and that it was only after many revisions that the
story and characters took shape to their satisfaction and they polished their
writing style to a point where they could submit it to their agent or an
editor, who then put them through several more rounds of editing before the
story was ready for publication.
“Writing is
Rewriting.” ~ Stephen King
For years,
I’ve been helping writers become authors, offering concrete advice and guidance
to take manuscripts up a level or three. I’m always amazed when occasionally someone
contacts me about editing their novel, then gets offended when I suggest ways
in which it can be improved. (Fortunately, the vast majority of my clients want
to succeed and sell their books, so they welcome my suggestions.)
“Amateurs fall in
love with every word they write.” ~ William Bernhardt
If you’re
looking for someone to tell you your novel manuscript is perfect as it is, save
your money and just ask your mom! (Or your spouse or best friend.) Authors of
best-sellers aren’t afraid to admit that they revised their novel numerous
times, often going through it and making changes thirty or forty times, then
had agents’ and editors’ input and revised it again.
“Manuscript: something submitted in haste and
returned at leisure.” ~ Oliver Herford
Maybe
you’ve got a story you’re itching to tell and you think nobody should mess with
it or tell you how to write it. That’s okay – get your story down first. But
then, if you want to get it published, it’s important to be open to input and
ideas on how to make it more compelling so it grabs the readers – and agents
and acquiring editors, if you’re going that route. As you’re revising and learning,
you’re honing your craft and getting closer to producing a best-seller. And you
can always keep your early drafts, in case you want to go back to them, or pick
out bits here and there to use.
“The beautiful part of writing is that you don’t have to get it
right the first time, unlike, say, a brain surgeon.” ~ Michael Crichton
Remember, there
are hundreds of effective, compelling ways to tell a story, and thousands of
ineffective / boring / confusing ways to tell that same story.
“There is no way of writing
well and also of writing easily.” ~ Anthony Trollope
If you
decided to build a house and you’d never built one before, you probably
wouldn’t just buy a bunch of lumber and start building it without first consulting
experts, reading books, googling info, asking carpenter friends for advice, etc.
So chances are high that you, as an aspiring author, won’t yet have acquired the
skills to write a novel that sells, without doing some research into the
fiction-writing techniques that make a story effective, compelling and
publish-worthy.
“When something
can be read without effort, great effort has gone into its writing.”
~Enrique Jardiel Poncela
And as a
freelance manuscript editor, specializing in fiction, that’s what I – and other
editors like me – am here for: to point out not only your story’s strengths,
but also areas that would benefit from rethinking, reworking, revision and
maybe even – gasp! – cutting and/or rewriting. Writing workshops,
craft-of-fiction resource books, and reputable blogs on writing fiction, as
well as articles in magazines like Writer’s Digest, and of course freelance
book editors like me, can all guide you and inform you of the latest effective fiction-writing
techniques for crafting your opening, point of view, plot, characterization, dialogue,
etc., with a natural flowing style and pacing that keep readers turning the
pages.
“No author dislikes to be
edited as much as he dislikes not to be published.”
~Russell Lynes
I find that
I give the most advice and suggest the most revisions on the first few chapters
(and prologue, if there is one), because the opening of your story is
incredibly important. It’s what will make or break your novel. If the story
hasn’t grabbed your readers in the first five pages or so, most readers will
put it down and never pick it up again. In fact, if the first half page is
weak, most agents or acquiring editors will chuck it. Your first page is
critical – it sets the tone for the whole novel and introduces your protagonist
and his dilemma – or at least hints at it.
“I try to leave
out the parts that people skip.” ~Elmore Leonard
A typical
fault among novice fiction writers (even if they’re technically excellent
writers and have published nonfiction books) is to spend too much time revving
their engines at the beginning of their novel, setting the scene with
description and providing background on the main character and his situation.
Today’s readers don’t have the patience for all this long-winded meandering
around and explaining at the beginning – they want to be swept up with your
story and main character and his problems right away. You can always add in
background details as your story progresses, on a “need to know” basis.
“I’m not a very
good writer, but I am a good rewriter.” ~ James Michener
So if
you’ve contacted me about editing your fiction manuscript, and I jump right in
with advice on how to make your first pages more compelling and effective,
which may well be to cut out all or most of your prologue and some or even most
of your chapter one, don’t be insulted or alarmed. Remember that we both have
the same goal in mind – to get your story published and read by a lot of people.
So some deadwood may need to be trimmed at the beginning so you can start your
story at a more compelling moment, with your protagonist, if not in hot water
already, on the verge of it. Then you can work in that backstory little by
little, as you go along.
“Sit down, and put down
everything that comes into your head and then you're a writer. But an
author is one who can judge his own stuff's worth, without pity,
and destroy most of it.”
~Colette, Casual Chance, 1964
I find that
typically, once the beginning is pared down to delete some of that excess
description and “cut to the chase,” the rest of the novel goes much more
smoothly, with way fewer major revisions.
“The wastebasket
is a writer’s best friend.” ~Isaac Bashevis Singer
An “okay”
novel can often be turned into a remarkable one by:
~ Ramping up the opening. See my articles,
Act
First, Explain Later, Those
Critical First Five Pages, Set
up Your Story in the First Paragraphs, and Open
Your Novel in Your Protagonist’s Head.
~ Adding more conflict and intrigue. See
my book, Writinga Killer Thriller – An Editor’s Guide to Writing Compelling Fiction.
~ Deepening the characters to make them more
compelling. See Creating
Compelling Characters.
~ Revising the point of view to one that’s
closer and more intimate: POV 101: Get into Your Protagonist’s Head;
POV 102: How to Avoid Head-Hopping;
POV 103: Deep Point of View, or Close Third.
~ Doing more “showing” and less “telling”
(“Show,
Don’t Tell”)
~ Revising stilted dialogue so it sounds more
natural and authentic: Tips
for Writing Effective Dialogue.
~ Writing tighter. If your novel is more than 95,000 words long,
you should be looking for ways to tighten it up and shorten it. See my book, Fire up Your Fiction (Style
that Sizzles and Pacing for Power) for lots of tips for eliminating flab and writing tighter.
“My first draft
is not even recognizable by the time I get to the last draft. I change
everything. I consider myself at Square Zero when I finish the first draft.
It’s almost like I use that draft to think through my plot. My hard copy of
each draft will be dripping with ink by the time I finish, and I’ll do that
several times.” ~ Terri Blackstock
But you
don’t have to take my word for it – there are all kinds of great books on
writing and revising fiction out there, not to mention articles in magazines
like Writer’s Digest, blog posts by
writers, agents, and editors, creative writing classes, and writers’
conferences and workshops. See the Resources page of my
website for a list of excellent books on writing fiction and other resources
that I recommend to my clients.
Keep on
writing! And remember, writing is rewriting! Or as my mom (and probably yours
too) used to say, “Rome wasn’t built in a day.”
© Jodie
Renner, November 2012 www.jodierennerediting.com
Also, see my articles, "How to Save a Bundle on Editing Costs" and "It's All About the Writing," both on Crime Fiction Collective, and Revising and Polishing Your Novel on this
blog.
Jodie Renner has published two books to date in her series, An Editor’s Guide to Writing Compelling Fiction: Writing a Killer Thriller and Fire up Your Fiction (Style That Sizzles & Pacing for Power), which has won two book awards so far. Look for her third book, Immerse the Readers in Your Story World, out soon. For more info, please visit Jodie’s author website or editor website, her blogs, Resources for Writers and The Kill Zone, or find her on Facebook, Twitter, and Google+. And sign up for her newsletter.
blog.
Jodie Renner has published two books to date in her series, An Editor’s Guide to Writing Compelling Fiction: Writing a Killer Thriller and Fire up Your Fiction (Style That Sizzles & Pacing for Power), which has won two book awards so far. Look for her third book, Immerse the Readers in Your Story World, out soon. For more info, please visit Jodie’s author website or editor website, her blogs, Resources for Writers and The Kill Zone, or find her on Facebook, Twitter, and Google+. And sign up for her newsletter.
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