Monday, February 13, 2012

Essential Elements of a Bestselling Thriller

by Jodie Renner

If you want your thriller or other suspense fiction to be a compelling page-turner, make sure you’ve included most or all of these elements:

1.   A compelling opening. Don’t rev your engines with a lengthy description of the setting or background on the character’s life. Jump right in with your protagonist in a tension-filled scene with someone important in his world. See my article, “Act First, Explain Later.”

2.    A protagonist who’s both ordinary and heroic. Rather than having a “Superman” invincible-type hero, it’s more satisfying to the readers if you use a regular person who’s thrown into stressful, then increasingly harrowing situations, and must summon all of his courage, strength and inner resources to overcome the odds, save himself and other innocent people, and defeat evil. Readers relate more personally to this type of main character, so bond with him better.

3.    A likeable, sympathetic protagonist. The readers need to be able to warm up to your main character quickly, to start identifying with her; otherwise they won’t really care what happens to her. So no cold, selfish, arrogant characters for heroes or heroines! See my article, Creating Compelling Characters.

4.    A worthy adversary for the protagonist. Your antagonist/villain needs to be as clever, strong, resourceful and determined as your protagonist, but also truly nasty, immoral and frightening. See my article “Creating a Worthy Antagonist.”

5.    An interesting setting. Readers like to find out about places they haven’t been, whether it’s the seedy side of Chicago, glitzy Hollywood, rural Kentucky, the mountains of Colorado, or the bayous of Louisiana — or more distant, exotic locations. And milk your setting for all it’s worth.

6.    An inciting incident. What happens to the main character to set the story events in action? Make it tense and compelling.

7.    A great plot, with ongoing conflict and tension. You need a big story question and plenty of intrigue. And every scene should contain tension and conflict of some kind. If it doesn’t, delete it. See my 3 articles, “Tension on Every Page.”

8.    Lots of suspense. Keep the readers on the edge of their seats, turning the pages to find out what’s going to happen next. See my 3 articles “Heightening the Suspense.”

9.    Multiple viewpoints. Narrating the story from various points of view, including that of the villain, will add interest, complexity and suspense to your novel. But don’t head-hop within a scene! Wait for a new scene or chapter to change viewpoints. Deep Point of View is the most intimate and compelling. See my 3-part series: Deep Point of View.

10. A tight, generally fast-paced writing style. Streamline your writing to improve flow and pacing. Go through and take out all unnecessary words, sentences, and paragraphs, and any repetitive phrases, events or ideas. Thrillers are not the genre to wax eloquent or show off your erudition.

11. Internal struggling of the protagonist — Give her a moral dilemma; show his inner conflict. Make them complex and fascinating; never perfect, complacent, or overly confident.

12. Lots of emotions. Bring your characters to life by showing their fear, trepidation, panic, pain, worry, anger, determination, courage, satisfaction, relief, joy, excitement, elation and other emotions. See “Show Those Feelings — and Reactions!

13. Vivid sensory descriptions. Put the reader right there in the scene by using all five senses wherever possible, plus emotion. Show what the character is hearing, smelling, feeling, touching and tasting, not only what they’re seeing. Appeal to the Senses — and Emotions!

14. Increasing danger. Keep raising the stakes and putting your hero in deeper and deeper trouble, to stretch his courage, determination, physical abilities and inner resources to the maximum — and increase the reader’s admiration and emotional investment in him! See my 3 articles on Writing a Killer Thriller.

15. A ticking clock. Your hero is racing against time to defeat the villain before innocents are killed — or even the whole world is imperiled. Adding ever-increasing time constraints increases the tension and suspense.

16. Troubles that hit home. Endanger the protagonist or someone close to her, to add a personal dimension and more stress to the threats and conflicts.

17. Critical turning points. Present your hero with life-or-death decisions and show his anxiety, tension, and indecision.

18. Obstacles in the way. Your heroine runs out of gas on a lonely road; your hero’s weapon falls into the river far below; he is wounded and can’t run; her cell phone battery is dead; whatever can go wrong does, and more.

19. Enough clues. Be fair. Use foreshadowing, and layer in clues and info as you go along, to slowly reveal the plot points and character backstory and motivation to the reader.

20. Twists and surprises. Write in a few unexpected plot twists, but make sure that, in retrospect, they make sense to the readers.

21. A compelling climax. Put the protagonist at a disadvantage in the final conflict with the antagonist, to heighten the stakes. Pile on the adversity the hero has to overcome at the end.

22. A satisfying ending. Leave the unhappy or unresolved endings for literary fiction. Let the good guy overcome the bad guy — by a hair.

23. Psychological growth and change in the hero/heroine. Adversity has made him or her stronger, braver, wiser — a better person.

Do you have any other essential elements to add that would enhance a thriller or other suspense fiction?

Copyright © Jodie Renner, February 2012

Jodie Renner is a freelance manuscript editor, specializing in thrillers, romantic suspense, mysteries, and other crime fiction, as well as YA and historical fiction. Jodie publishes craft-of-fiction articles here (occasionally) and on five other blogs (regularly): Crime Fiction Collective, Blood-Red Pencil, The Thrill Begins, The Writer's Forensics Blog, and Suspense Magazine's blog. Check out Jodie’s website at www.JodieRennerEditing.com . 


Thursday, January 19, 2012

Busy with Editing and Publishing my Craft of Fiction Articles

I've been very busy editing fiction manuscripts, mostly thrillers, mysteries, romantic suspense and other crime fiction, as well as publishing my craft of fiction articles on various writers' blogs, so my own blogspot here is getting negelected.

In fact, today (Jan. 19, 2012), I have four different articles published on four different sites:

Hot off the press - "Check Your Facts, Ma'am!" (so you don't annoy and alienate your readers) is up on Blood-Red Pencil blogspot, at http://www.bloodredpencil.blogspot.com/.

And an updated version of my "Thrillers vs. Mysteries" is up on The Thrill Begins blogspot, at
http://thethrillbegins.blogspot.com/.

Also, Part 3 of "Tension on Every Page" (with parts 1 & 2 just below it) is up on DP Lyle, MD's blog, Writer's Forensics Blog, at
http://writersforensicsblog.wordpress.com/.

And "Essential Elements of a Bestselling Thriller" is up at Suspense Magazine's blog:
http://www.suspensemagazine.com/blog2/

Drop on over to any or all of them, and leave a comment if you have a minute to spare!

And keep on writing!

Tuesday, December 27, 2011

WRITERS' CONFERENCES & BOOK FESTIVALS 2012

Here are some of the writers' conferences to be held in North America in 2012 (and a few free book festivals). Please let me know of any I’ve missed, and I’ll be glad to add them to the list. Also, some of the annual conferences held in Sept.-Dec. don’t seem to have their 2012 dates set yet, so I’ve put a ? for those. If you know the exact date for 2012, please let me know and I’ll add them.

JANUARY 2012:

 Jan. 20-22, 2012 – Writer’s Digest Conference – Sheraton Hotel, New York City. http://www.writersdigestconference.com/

 Jan. 27-29, 2012 – San Diego State University Writers’ Conference, Doubletree Hotel, San Diego’s Mission Valley. http://www.ces.sdsu.edu/writers/

FEBRUARY 2012:

Feb. 3-4, 2012 - Cape Fear Crime Festival, Wilmington, NC. http://www.capefearcrimefestival2.com/

 Feb. 3-5, 2012 - Love Is Murder Mystery Conference, Chicago, IL. http://www.loveismurder.net/.

 Feb. 15-19, 2012 – Savannah Book Festival 2011, Savannah, GA. Free and open to the public. http://www.savannahbookfestival.org/  

Feb. 16-19, 2012 – San Francisco Writers Conference - http://www.sfwriters.org/ 

Feb. 16-19, 2012 – San Miguel Writers Conference, San Miguel de Allende, Mexico. http://www.sanmiguelwritersconference.org/

 Feb. 17-20, 2012– The Southern California Writers Conference (SCWC) – San Diego http://www.writersconference.com/ 

 Feb. 22-26, 2012 – Fisherman’s Wharf Writers Conference, Algonkian Writers Conference, San Francisco. http://algonkianconferences.com/conferences.htm 

 Feb. 27-29, 2012 – Writer’s Symposium by the Sea, Point Loma - www.pointloma.edu/writers.com

 MARCH 2012:

March 1-4, 2012 - Sleuthfest 2012, Orlando, FL. Florida’s premier mystery writer’s conference. Workshops and expert panels. www.mwaflorida.org/sleuthfest.htm .

March 3-4, 2012 - Whidbey Island Writers Conference, Whidbey Island, WA; http://www.writeonwhidbey.com/

March 10-11, 2012 – The Tucson Festival of Books, University of Arizona campus, Tucson, AZ. Free and just excellent! http://tucsonfestivalofbooks.org/

 March 16-17, 2012 - The Write Stuff, Greater Lehigh Valley Writers Group, Allentown, PA. http://www.glvwg.org/

 March 30-31, 2012 - 7th Annual Northern Colorado Writers Conference, Fort Collins Hilton. http://northerncoloradowriters.com/annual-conference-mainmenu-128.html 

 March 29-April 1, 2012 – Left Coast Crime 2012 annual mystery convention, Sacramento, CA. http://www.leftcoastcrime.org

 APRIL 2012:

 March 29-April 1, 2012 - The Maine Festival of the Book, featuring some 75 authors. Free! Portland, Maine. Visit http://www.mainereads.org/

April 11-15, 2012 – Romantic Times Book Lovers’ Convention, Hyatt Regency O'Hare Hotel, Rosemont (Chicago) IL. http://www.rtconvention.com

 April 13-14, 2012 - Houston Writers Guild Conference, Sugar Land, Texas. http://www.houstonwritersguild.org/welcome.html 
April 14, 2012 – 22nd Annual TMCC Writers’ Conference, Truckee Meadows Community College, Reno, NV. http://www.tmcc.edu/wdce/conferences/writers/

April 16-21, 2012 - Philadelphia Book Festival – Free! http://libwww.library.phila.gov/bookfestival/

 April 19-21 – Las Vegas Writers’ Conference, Sam's Town Hotel and Casino, Las Vegas, Nevada. http://www.lasvegaswritersconference.com/

April 20-22, 2012 - Missouri Writers Guild’s Write Time! Write Place! Write Now!

Writers’ Conference, Doubletree Hotel and Conference Center of St. Louis, http://www.missouriwritersguild.org/ 

April 20-22, 2012 - Pikes Peak Writers Conference, Colorado Springs, CO, Marriott Hotel. http://www.ppwc.net/html/ppwc.html

 April 20-21, 2012 – Kentucky Writers’ Conference and Southern Kentucky Bookfest. - Free!  http://www.sokybookfest.org/KYWritersConf

 April 21, 2012 – Alabama Book Festival, Montgomery. Free Admission, http://www.alabamabookfestival.org/

 April 26-28, 2012 - American Society of Journalists and Authors’ 41st Annual Writers Conference for nonfiction writers in NYC: http://www.asja.org/wc/2011/

April 27-29, 2012 - Malice Domestic, annual traditional mystery fan convention, in Bethesda, MD. www.malicedomestic.org

April 28, 2012 - Unicorn Writers’ Conference, Portland, CT. http://www.unicornwritersconference.com/

 MAY 2012:

 May 3-5, 2012 - The Oklahoma Writers Federation Story Weavers Conference, Oklahoma City. http://www.owfi.org/conference.php

 May 5, 2012: Ontario Writers’ Conference – Garden Hilton Hotel, Ajax, Ontario, Canada. http://thewritersconference.com/Ontario-Writers-Conference.html

May 4-6, 2012 - Tallahassee Book Festival and Writers Conference. http://www.twaonline.org/

May 11-13 – Algonkian Writers Conference, San Fran Write to Market Conference, San Francisco. http://algonkianconferences.com/conferences.htm

May 18-20, 2012 - SC Book Festival, Columbia Metropolitan Convention Center in Columbia, South Carolina. http://www.scbookfestival.org/

May 24-26, 2012 - Backspace Writers Conference, New York City. http://www.backspacewritersconference.com/

JUNE 2012:

June 1-3, 2012 - Bloody Words XII, Toronto, Ontario, Canada. Includes panels, agents, a short story contest, and forensics. See http://www.BloodyWords2012.com/.

June 1-3, 2012 - Wyoming Writers Conference, Casper, Wyoming. Presentations, workshops, agent pitch sessions, and open mic readings. http://www.wyowriters.org/conference.html

June 7-8, 2012: 8th annual Clarksville Writers' Conference, Austin Peay State University, Clarksville, Tennessee. Workshops on writing and publishing. http://www.artsandheritage.us/writers/
June 8-10, 2012: 64th annual Philadelphia Writers' Conference, Holiday Inn Historic District, Philadelphia, PA. More info to come soon at www.pwcwriters.org

June 8-12, 2012 – Kachemak Bay Writers’ Conference, Lands End Resort, Homer, Alaska. http://writersconference.homer.alaska.edu/

June 9-14, 2012 - Santa Barbara Writers Conference, Santa Barbara, CA. http://www.sbwriters.com/

 June 12-16, 2012 - Western Writers of America convention, Albuquerque, New Mexico. http://www.westernwriters.org/

 June 22-24, 2012 – Writers’ League of Texas Agents Conference, Hyatt Regency, Austin, Texas. http://www.writersleague.org/38/Agents-Conference

 June 22-24, 2012 - RomCon in Denver, CO. Crowne Plaza, Denver International Airport. http://www.romcon2012.com

June 25- 28, 2012 - Romance Writers of America Annual Conference, Anaheim, California. http://www.rwa.org/cs/conferences_and_events

 June 28-30, 2012 - Jackson Hole Writers Conference, Jackson Hole, Wyoming. http://www.jacksonholewritersconference.com/

 JULY 2012:

 July 11-14, 2012 - Thrillerfest & Craftfest – International Thriller Writers annual conference, New York, NY. http://www.thrillerfest.com/

July 7-13, 2012 - Antioch Writers’ Workshop, Yellow Springs, Ohio. http://www.antiochwritersworkshop.com/  

July 12-15, 2012 - Public Safety Writers Conference, Las Vegas NV. Open to those writing fiction or nonfiction about or for any public safety field. Conference speakers include a coroner, fire fighters, police officers, and others in the writing field. http://www.policewriter.com/.

July 22-27, 2012 - Napa Valley Writers’ Conference - http://www.napawritersconf.org

AUGUST 2012:

Aug. 3-5, 2012 – UNF Writers Conference – University of North Florida, Florida Writers Association, http://www.unfwritersconference.com/

 Aug. 16-19, 2012 – Sunshine Coast Festival of the Written Arts – Sechelt, BC, Canada. http://www.writersfestival.ca/

 Aug. 19-22, 2012 – Pacific Northwest Writers Association summer conference, Bellevue, Washington, http://pnwa.org/

SEPTEMBER 2012:

 Sept. 16-18 - Fall in Love with Writing: A Conference for All Genres and Awards Banquet, Albuquerque, NM

 Sept. 21-23, 2012 - The Southern California Writers Conference (SCWC) – Los Angeles http://www.writersconference.com/

 Sept 20-22, 2012 - Hampton Roads Writers Conference, Virginia Beach, VA - http://www.hamptonroadswriters.org/2012conference.php

 Sept. ?? - Writers’ Police Academy, Jamestown NC. Hands-on, interactive and educational experience for writers to enhance their understanding of all aspects of law enforcement and forensics. http://www.writerspoliceacademy.com/.

 Sept. or Oct.? - Central Ohio Fiction Writers Conference - http://www.cofw.org/conference.html

 Sept. or Oct. ? - Moonlight and Magnolias conference in Atlanta, Georgia; http://www.georgiaromancewriters.org/mm-conference/

 OCTOBER 2012:

 Oct. 4-7, 2012 – Bouchercon Crime Fiction Convention, Cleveland, Ohio. http://www.bouchercon2012.com/.

Oct. 6-7, 2012 – Write on the Sound – Edmonds, WA - http://www.ci.edmonds.wa.us/ArtsCommission/wots.stm

 Oct. 27, 2012 – Boston Book Festival – free and excellent! http://www.bostonbookfest.org/

 Oct. 19-21, 2012 - Surrey International Writers Conference, Surrey, BC, Canada.
http://www.siwc.ca/

October 27-30, 2012: Algonkian Writers Niagara Falls Conference, Niagara Falls, CAN, http://algonkianconferences.com/conferences.htm

Oct. ?? – Florida Writers Conference http://floridawriters.net/

Oct ?? - South Carolina Writers Workshop, Myrtle Beach, SC - http://www.myscww.org/conference/

Oct. ?? - Emerald City Writers’ Conference (Romance Writers of America), Bellevue, Washington, http://www.gsrwa.org/conference.php

NOVEMBER 2012:

Nov. 1-4, 2012– World Fantasy Convention: http://www.wfc2012.org/

Nov. 2-4, 2012 _ The La Jolla Writers Conference, San Diego - http://www.lajollawritersconference.com/

Nov. ?? The New England Crime Bake Conference, Dedham, Mass. http://www.crimebake.org/

DECEMBER 2012:


JANUARY 2013:
Fun in the Sun Conference – Florida Romance Writers: get ready to set sail
onboard Royal Caribbean's beautiful ship, Liberty of the Sea. We sail from Ft Lauderdale, Florida on Thursday, January 24th, 2013 and return to port on Monday, January 28th, 2013. Join us to see the beautiful blue seas of Cozumel and bask in the Caribbean sunlight. This year our conference will include a Pre-sail party on Wednesday night January 23rd, 2013.


List compiled by Jodie Renner, of Jodie Renner Editing, http://www.jodierennerediting.com/


Saturday, November 19, 2011

TIPS FOR WRITING EFFECTIVE DIALOGUE

by Jodie Renner, freelance manuscript editor, http://www.jodierennerediting.com/

Dialogue is one of the first things agents and editors look at when they receive a manuscript for consideration. If the dialogue is wooden, stilted, and artificial, most agents will assume that the rest of the writing is amateurish, and the manuscript will be quickly rejected. Here are some concrete ways to make your dialogue more compelling and natural-sounding.

 A. Dialogue needs tension, conflict and emotion!

This one is huge. As Randy Ingermanson and Peter Economy say in Writing Fiction for Dummies, “Dialogue is war! Every dialogue should be a controlled conflict between at least two characters with opposing agendas. The main purpose of dialogue is to advance the conflict of the story.”

1. Leave out the “Hi, how are you?” “I’m fine, and you?” “Nice day,” stuff, and cut to the chase. Skip past introductions and all that empty blah-blah small talk.

2. Avoid any kind of long monologue or dialogue that just imparts information, with no tension or emotion.

3. Don’t use dialogue as “filler” – if it doesn’t advance the plot, heighten the conflict, or deepen the characterization, take it out.

4. Include lots of emotional or sexual tension and subtext in your dialogue. Silence, interrupting, or abruptly changing the subject can be effective, too.

B. Loosen up the dialogue.

 The most common problem with dialogue for new writers is that it often sounds too stiff and formal. Here are some easy, quick tips for loosening up the dialogue to make it sound more natural:

1. Read your dialogue out loud. Does it sound natural? Can you cut some words out, or use more common, everyday conversational words, rather than more “correct” words? In conversation, use “bought” rather than “purchased,” “use” rather than “utilize,” etc.

2. Use contractions. Change “I am” to “I’m”, “we will” to “we’ll”, “do not” to “don’t”, “they will” to “they’ll,” etc.

3. Break up those long, grammatically correct complete sentences. Nobody talks in complete sentences in informal conversations with friends (or enemies) and family, especially in stressful situations. Frequently, use some short sentence fragments, and one-word answers.

4. Don’t have one person go on and on about a subject. Fiction is not the place for a lecture on a topic, or somebody speaking at length about himself. It’s not natural, and your readers aren’t interested in long monologues! Have the other person interrupt to ask a question, give their opinion, seek clarification, change the subject, etc.

C. Keep it real!

 Avoid unnatural dialogue caused by having the characters say things they would never say, just to impart some information to the readers! An extreme example of this would be a character saying to his sister: “As you know, our parents died in a car crash five years ago.” Or even the more subtle, “As your lawyer, I must advise you…” Using dialogue this way to get some information across to the reader is artificial and a sure sign of an amateur writer. Work the information in subtly, without having one character say something that the other would obviously already know.

D. Give each character his or her own voice or speaking style. Make sure all your characters don’t sound the same (like the author).

 First, pay attention to differences in gender, age, social status, education, geographical location, historical era, etc. Some characters, especially professionals, will use more correct English and longer sentences, while others will use rougher language, with a lot of one- or two-word questions or answers, sprinkled with expletives.

 Then, think about individual personality differences within that social group, and the situation. Is your character: Shy or outgoing? Talkative or quiet? Formal or casual? Modern or old-fashioned? Confident or nervous? Tactful or blunt? Serious or lighthearted? Relaxed or stressed? And give each character their own little quirks and slang expressions, but exercise caution when using slang or expletives. (More on that in another article.)

E. Gender differences.

Bear in mind that men and women tend to express themselves differently.

- In general, men are terser and more direct; they usually prefer to talk about things rather than people or feelings; and they often use brief or one-word answers.

- Women, on the other hand, like to talk about people and relationships; often hint at or talk around a subject, tend to express themselves in more complete sentences; and often want to discuss their feelings.

- These differences are especially important to keep in mind if you’re a female author writing dialogue for male characters, and vice-versa.

F. Other tips:

1. Avoid “talking heads” – pages of unbroken dialogue, with little action or description.

- Move the characters around the scene, and indicate their reactions, gestures and body language:

“…as they walked into the kitchen,” “They pulled up in front of the police station,” “He crossed his arms,” “She got up and started pacing.” “He touched her arm.” “She gasped in alarm.” “He clenched his fists.” And so on.

2. For dialogue tags, use mainly he said and she said (and asked for questions), which are non-intrusive, rather than words like remarked, conjectured, queried, interjected, insinuated, pronounced, and uttered, which draw attention to themselves and can be annoying.

3. Also, beware of using non-speaking words as attributes, like “That’s so nice,” she smiled, or “You bet,” he grinned. You can’t “smile” or “grin” words! But you can say, “You bet.” He grinned and waved as he pulled away.

 4. However, in addition to he said and she said, words like shouted, whispered, mumbled, yelled, murmured, and screamed are very useful for advancing the plot and ramping up your imagery.

5. Avoid the dialogue tag if it’s obvious who’s speaking.

6. But do make it clear who’s speaking. Readers don’t want to have to back up and check to see who’s talking now.

7. Try to use action tags (beats) instead of dialogue tags, such as:

Shelley hung up the phone. “That was Carole.”

Mark tensed. “What did she want?”

8. Avoid having the characters constantly using each other’s names. Once in a while is good, but don’t overdo it.

 © Copyright Jodie Renner, August 2010, http://www.jodierennerediting.com/

Resources: On Writing Romance by Leigh Michaels, A Writer’s Guide to Fiction by Elizabeth Lyon, Writing Dialogue by Tom Chiarella, Novel Shortcuts by Laura Whitcomb, Writing Fiction for Dummies by Randy Ingermanson and Peter Economy

See also "Dialogue Nuts and Bolts - How To Write Dialogue Accurately," at http://jodierennerediting.blogspot.com/2010/08/dialogue-nuts-bolts.html


Monday, October 31, 2011

NaNoWriMo in a Nutshell

What is NaNoWriMo, anyway?

NaNoWriMo stands for National Novel Writing Month, an incentive for aspiring writers to get off their butts and start writing. It’s held in November, because what else will you do in November, anyway?

How do I find out about it?

For more info and to register for NaNoWriMo, visit their official website at www.NaNoWriMo.org. Here’s the answer to your first question, on their FAQ page:

NaNo in a Nutshell:

What: Writing one 50,000-word novel from scratch in a month's time.

Who: You! We can't do this unless we have some other people trying it as well. Let's write laughably awful yet lengthy prose together.

Why: The reasons are endless! To actively participate in one of our era's most enchanting art forms! To write without having to obsess over quality. To be able to make obscure references to passages from our novels at parties. To be able to mock real novelists who dawdle on and on, taking far longer than 30 days to produce their work.

When: You can sign up anytime to add your name to the roster and browse the forums. Writing begins November 1. To be added to the official list of winners, you must reach the 50,000-word mark by November 30 at midnight. Once your novel has been verified by our web-based team of robotic word counters, the partying begins.

Where: You write wherever you’d like. On your computer, on your iPad, on a typewriter---anywhere is fine, just as long as you’re writing! For a more in-depth NaNoWriMo overview, visit the devilishly handsome What is NaNoWriMo? and How NaNoWriMo Works pages.”

***

More info and background on NaNoWriMo:

According to Wikipedia, “NaNoWriMo is an annual creative writing project coordinated by the non-profit organization The Office of Letters and Light. Spanning the month of November, the project challenges participants to write 50,000 words of a new novel in one month. The project has been running since July 1999 by Chris Baty, and started out with only 21 participants. In 2009, over 170,000 people signed up and 2,427,190,537 words were written.

How do I get involved?

Writers wishing to participate first register on the project’s website, where they can post profiles and information about their novels, including a synopsis and excerpts. Word counts are validated on the site, with writers submitting a copy of their novel at the end for automatic counting. Municipal leaders and regional forums help connect local writers with one another by holding writing events and providing encouragement.”

What are the rules?

This is for fiction writing, but participants’ novels can be on any theme and in any genre, and in any language. According to the website’s FAQ, “If you believe you're writing a novel, we believe you're writing a novel too.” You start writing November 1, and the idea is for you to reach a minimum of 50,000 words by 11:59:59 PM on November 30, local time. We’re talking first draft here, not polishing and revising, which you leave till later. You’re allowed to do all kinds of advance planning and make extensive notes, but you can’t start the actual writing until November 1.

According to Wikipedia, “Participants write either a complete novel of 50,000 words, or simply the first 50,000 words of a novel to be completed later. While 50,000 words is a relatively low word count for a complete novel, it is still significantly more than the 40,000 word mark that distinguishes a novel from a novella. Notable novels of roughly 50,000 words include The Hitchhiker's Guide to the Galaxy, Brave New World, and The Great Gatsby.”

To complete the NaNoWriMo challenge, participants will need to write an average of about 1,667 words per day. Organizers of the event say that the aim is simply to get people to start writing, using the deadline as an incentive to get the story going and to put words to paper. This “quantity over quality” philosophy is summarized by the site’s slogan: No Plot? No Problem! This is also the title of Chris Baty's book of advice for NaNoWriMo participants, published in late 2004 by Chronicle Books.

Is there a cost to enter this program?

No, there is no fee to participate in NaNoWriMo; all you need to do is register in order to have your progress verified.

Are there any prizes?

No, there are official prizes are awarded, but you will receive a handy-dandy certificate to display as you wish, as well as an icon to display on the Web, and you’ll be officially included on the list of winners. Anyone who reaches the 50,000 word mark is declared a winner.

How do they know I reached the target number of words?

Beginning November 25, participants can submit their novel to be automatically verified for length. No precautions are taken to prevent cheating; since the only significant reward for winning is the finished novel itself and the satisfaction of having written it, there is little incentive to cheat. Novels are verified for word count by software, and may be scrambled or otherwise encrypted before being submitted for verification, although the software does not keep any other record of text input. It is possible to win without anyone (other than the author) ever seeing or reading the novel.

In October 2008, the self-publishing company CreateSpace teamed up with NaNoWriMo to begin offering winners a single free, paperback proof copy of their manuscripts, with the option to use the proof to then sell the novel on Amazon.com.

What about community support?

The official forums on the NaNoWriMo website provide a place for advice, information, criticism, support and an opportunity for “collective procrastination.” The forums are available from the beginning of October, when signups for the year begin, until late September, when they are archived and the database is wiped in preparation for the next year.

Most regions also have one or more Municipal Liaisons (ML) assigned to them, who are volunteers that help with organizing local events. MLs are encouraged to coordinate at least two kinds of meet-ups; a kickoff party, and a "Thank God It's Over" party to celebrate successes and share novels. Kickoff parties are often held the weekend before November to give local writers a chance to meet and get geared up, although some are held on Halloween night past midnight so writers start writing in a community setting. Other events may be scheduled, including weekend meet-ups or overnight write-ins.

Don’t have a computer to write on? NaNoWriMo runs a Laptop Loaner program for those who do not have regular access to a computer or word processor. Old, yet functional laptops are donated from NaNoWriMo participants. Those wishing to borrow a laptop are required to cover the cost of shipping it back and must send a $300 deposit along with proof of identity, but are not charged a fee for using the laptops. In 2006, AlphaSmart, Inc. donated 25 brand-new Neos to expand the Laptop Loaner library with the promise of 25 more over the next two years .

by Jodie Renner, http://www.jodierennerediting.com/