THRILLERS VS. MYSTERIES

Most readers of fiction know what mysteries are. But what’s a thriller? How are thrillers different from mysteries? Both are fiction stories involving criminal activity, catching the bad guy, and at least one murder.

The main difference is in the delivery—how they are told. A mystery can unfold in a leisurely fashion, but thrillers need to be much more fast-paced and suspenseful. The American Heritage Dictionary of the English Language defines a thriller as a work of fiction “that thrills, especially a sensational or suspenseful book, story, play, or movie.”

James N. Frey, author of How to Write a Damn Good Thriller and How to Write a Damn Good Mystery, among other “damn good” books on writing, says, “In the United States, mysteries are not considered to be thrillers, though they share some common elements.” Frey describes the differences like this:

“In a mystery, the hero has a mission to find a killer.

In a thriller, the hero has a mission to foil evil.”

Frey goes on to elaborate, “a thriller is a story of a hero who has a mission to foil evil. Not just a hero—a clever hero. Not just a mission—an ‘impossible’ mission. An ‘impossible’ mission that will put our hero into terrible trouble.”

According to International Thriller Writers (www.thrillerwriters.org), a thriller is characterized by “the sudden rush of emotions, the excitement, sense of suspense, apprehension, and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace. Thriller is a genre in which tough, resourceful, but essentially ordinary heroes are pitted against villains determined to destroy them, their country, or the stability of the free world. Part of the allure of thrillers comes from not only what their stories are about, but also how they are told. High stakes, nonstop action plot twists that both surprise and excite, settings that are both vibrant and exotic, and an intense pace that never lets up until the adrenaline-packed climax.” (Source: James N. Frey, How to Write a Damn Good Thriller)

David Morrell, best known for his debut 1972 novel First Blood, which would later become the successful Rambo film franchise starring Sylvester Stallone, and author of 28 thrillers, most recently, Shimmer and The Naked Edge, posed the question several years ago, “What is a Thriller?” He decided to explain the difference between thrillers and mysteries because “some readers evidently have a porous view of who-done-its, crime stories, action stories, suspense stories, thrillers, etc, and group them all together as mysteries."

Morrell and the International Thriller Writers organization don’t consider thrillers mysteries. “What is a thriller?” asks Morrell. “It is an encompassing term into which many crime, action, and suspense stories can be grouped. It applies to a variety of types: the legal thriller, the spy thriller, the action-adventure thriller, the medical thriller, the police thriller, the romantic thriller, the historical thriller, the political thriller, the religious thriller, the high-tech thriller, etc. New types are constantly being invented. What gives them their common ground is the intensity of the emotions they create, particularly those of apprehension and exhilaration of excitement and breathlessness. By definition, if thrillers do not thrill, they aren’t doing their job. Sometimes, they build rhythmically to a rousing climax. Other times, they start at top speed and never ease off.”

So, asks Morrell, “…what’s the difference between mysteries and thrillers? According to him, “One crucial distinction is that traditional mysteries appeal primarily to the mind and emphasize the logical solution to a puzzle. In contrast, thrillers strive for heightened emotions and emphasize the sensations of what might be called an obstacle race and a scavenger hunt. It’s not that thrillers don’t have ideas. […] But in broad terms, the contrast is between emotion and logic, between an urgent pace and a calm one. True, the two genres can merge if the scavenger hunt of a thriller involves solving a puzzle. But in a thriller, the goal of solving the puzzle is to excite the reader as much as to satisfy curiosity.” (David Morrell, www.crimespreemag.com)

Which do you prefer, mysteries or thrillers? It probably depends on your mood, but I much prefer the pure escapism and “pulse-pounding suspense” of thrillers.

Who are some of your favorite thriller writers and novels? Mine include Lee Child, Harlan Coben, David Morrell, Sandra Brown, Michael Connelly, Allison Brennan and Nora Roberts. For suspense-mysteries, try LJ Sellers' excellent Detective Jackson series.

What about your favorite thriller characters? I love Lee Child’s Jack Reacher and Harlan Coben’s Myron Bolitar. Also, I just finished The Lincoln Lawyer by Michael Connelly, and I really liked his Mickey Haller character.